<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Performance on Sebastien Sanz de Santamaria</title><link>https://sebastiensanzdesantamaria.net/tags/performance/</link><description>Recent content in Performance on Sebastien Sanz de Santamaria</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Sat, 01 Oct 2005 00:00:00 -0500</lastBuildDate><atom:link href="https://sebastiensanzdesantamaria.net/tags/performance/index.xml" rel="self" type="application/rss+xml"/><item><title>Open Stitch</title><link>https://sebastiensanzdesantamaria.net/work/open-stitch/</link><pubDate>Sat, 01 Oct 2005 00:00:00 -0500</pubDate><guid>https://sebastiensanzdesantamaria.net/work/open-stitch/</guid><description>&lt;p&gt;Open Stitch was conceived and organized with Jessie Cohan. Fifteen artists spent seven days making wearable garments at Location One under restricted conditions: working only with the materials provided, away from their own studios, and under collaborative constraints that deliberately blurred the line between art and fashion.&lt;/p&gt;&#10;&lt;p&gt;Production was streamed live for the duration of the seven days. The finished garments and the video documentation were then installed in the gallery.&lt;/p&gt;</description></item><item><title>Impossible Tea Party</title><link>https://sebastiensanzdesantamaria.net/work/impossible-tea-party/</link><pubDate>Wed, 01 Oct 2003 00:00:00 -0500</pubDate><guid>https://sebastiensanzdesantamaria.net/work/impossible-tea-party/</guid><description>&lt;p&gt;Performed in October 2003 at the DUMBO Arts Festival as part of its Water Art section: an experiment in sophisticated not-drowning.&lt;/p&gt;&#10;&lt;p&gt;Four floating platforms, designed by Fluxer Brian Matthews, were set out on the East River along with a floating tea table, everyone dressed for a Victorian tea party. From the shore, the audience ordered cups of tea using semaphore flags; the performers then had to reach the table with ropes and small paddles to make them.&lt;/p&gt;</description></item><item><title>Miracle on 43rd Street</title><link>https://sebastiensanzdesantamaria.net/work/miracle-on-43rd-street/</link><pubDate>Sat, 26 Apr 2003 00:00:00 -0500</pubDate><guid>https://sebastiensanzdesantamaria.net/work/miracle-on-43rd-street/</guid><description>&lt;p&gt;&lt;em&gt;Miracle on 43rd Street: the tour &amp;amp; the mischief&lt;/em&gt; took participants by bus to the BQE end of 43rd Street in Queens and left them to walk back to Flux Factory with a map they were given. Flux Factory described the street as &amp;ldquo;the Yellow Brick Road without the colors or the bricks and straighter&amp;rdquo; — the catch being the map itself.&lt;/p&gt;&#10;&lt;p&gt;Recorded on an earlier CV as &lt;em&gt;Miracle Mischief&lt;/em&gt;, a film.&lt;/p&gt;</description></item><item><title>When Everybody Agrees It Means Nobody Understood</title><link>https://sebastiensanzdesantamaria.net/work/when-everybody-agrees/</link><pubDate>Sun, 03 Nov 2002 00:00:00 -0500</pubDate><guid>https://sebastiensanzdesantamaria.net/work/when-everybody-agrees/</guid><description>&lt;p&gt;Co-participation in Flux Factory&amp;rsquo;s installation and performance piece for the Queens Museum of Art&amp;rsquo;s exhibition &lt;em&gt;Queens International&lt;/em&gt;.&lt;/p&gt;&#10;&lt;p&gt;For nearly three months the collective worked inside the gallery in orange jumpsuits, building and maintaining a structure that grew, developed, and then devolved. It was updated daily and documented continuously, until the documentation outweighed the living structure and was all that remained.&lt;/p&gt;</description></item><item><title>Multi-Prises</title><link>https://sebastiensanzdesantamaria.net/work/multi-prises/</link><pubDate>Mon, 01 May 2000 00:00:00 +0100</pubDate><guid>https://sebastiensanzdesantamaria.net/work/multi-prises/</guid><description>&lt;p&gt;Live music and sound production for &lt;em&gt;Multi-Prises&lt;/em&gt;, an evening of short films at the Iseion theater, performed alongside the Project association&amp;rsquo;s video jockey.&lt;/p&gt;&#10;&lt;p&gt;Three performances: December 1998, June 1999, and May 2000.&lt;/p&gt;</description></item><item><title>Metropolis — Live Score</title><link>https://sebastiensanzdesantamaria.net/work/metropolis-live-score/</link><pubDate>Sat, 01 Jan 2000 00:00:00 +0100</pubDate><guid>https://sebastiensanzdesantamaria.net/work/metropolis-live-score/</guid><description>&lt;p&gt;Conceived and performed a live sound accompaniment for Fritz Lang&amp;rsquo;s silent film &lt;em&gt;Metropolis&lt;/em&gt;, in collaboration with the Diagonal cinemas and the DRAC (Direction Régionale des Affaires Culturelles). Covered in the local press.&lt;/p&gt;&#10;&lt;p&gt;Diagonal is an independent cinema in downtown Montpellier, open since 1983.&lt;/p&gt;</description></item></channel></rss>